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James Mason does not merely play Nemo, he seems to be Nemo; after seeing his performance it is impossible to imagine any other actor in the role. Paul Lukas adds yet another brilliantly understated performance to his memorable career, and while Kirk Douglas and Peter Lorre are hardly the Ned Land and Conseil of the Verne novel they have surprising chemistry and lend the film considerable dash. Underwater photography was hardly new in 1954, but never had it been used so extensively nor to such visually beautiful effect, and the art designs--particularly those for the Nautilus--are justly celebrated. But for all its beauty, it is the performances which make the film work.