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A good example of this narrative philosophy is pointed out by Russell in his excellent and illuminating commentary track: in one scene Clooney is rushing pell-mell through an underground bunker and collides with another man rushing to get out. There's no "point" to it other than that these distracting things happen in real life all the time, just not usually in the movies. Soldiers at the tail end of the Gulf War get a lead on a hidden stash of gold and decide to find it and take it home. What happens to them along the way changes their objectives and changes their lives in profound ways. Director David O Russell has crafted a movie that SEEMS to be aimless, changing directions with the wind, but is actually a movie with a certain destination, taking a more realistic approach to arrive there.